7/18/11

Record Review: Backslider/Nimbus Terrifix split

Various Artists-Backslider & Nimbus Terrifix split (Give Praise Records)
By Nathan G. O'Brien on Scene Point Blank

The vinyl comes in a deep shade of purple with specs of other colors marbleized in.  The album artwork—a Pusshead-inspired drawing of a hand with eyes and a teeth—elicits nostalgia for a bygone era: ‘80s Thrasher Magazine, Metallica before the black album, Vision Street Wear, and hangover-curing breakfast burritos. 
...read the entire review here.

7/15/11

2011 Mid-Year Best-Of: Albums

Top 5 Albums of 2011 So Far
An Excerpt Form 2011 Mid-Year Review
By Nathan G. O'Brien on Scene Point Blank



Beastie Boys-Hot Sauce Committee Part Two
Old-School hip-hop…scratch that, rap music resurfacing at a time when contemporary hip-hop is in dire need of actual rappers. Complete with all the obscure cultural references (Kenny Rogers Roasters, André Leon Telly, Jerome Crooks, Splenda, etc.) and witty humor you’ve come to expect from the Beasties. Sample Adrock lyric—“The proof is in the pudding/And the pudding is in my pants/You’ve heard me rap/Now watch me dance.”

Mauser-End Of The Line
Out of Gainsville, FL comes a band of punks whom seem hellbent on injecting a much needed shot of adrenaline into D-beat. This 7”—a superbly executed raw and noisy affair—affirms there is still plenty of originality left in the genre. That being said; those who fell in love with the self-titled EP by Japan’s Mörpheme would be equally as enamored with this record.

Sims-Bad Time Zoo
More than a half-decade since the release of his debut album, the veteran Minneapolis MC returns with venomous tongue-lashings directed at both the over-caffeinated, plugged-in, self-serving masses and the man in the mirror—all laid upon some of the most innovative and hard-hitting beats this side of the Mississippi, courtesy of fellow Doomtree member, Lazerbeak.

Cülo-Toxic Vision
Five songs of angry hardcore punk rock, brought by four white dudes from the suburbs, whose band name means “butthole” in Spanish. Seriously, what’s not to love?

Random Axe-Random Axe
A project several years in the making Random Axe finally surfaces to much deserved fanfare. Random Axe is an all-star trio consisting of Guilty Simpson, Sean Price and Black Milk—three men who have earned their stripes in the fiercely independent hip-hop underworld. On their self-titled debut Simpson and Price lay down verses of gritty street life on top of Milk’s electrified boom-bap—resulting in a product worthy of the anticipatory timline.

Read our entire 2011 Mid-Year Review on Scene Point Blank.

7/13/11

2011 Mid-Year Best-Of: Slept On in 2010

Top 5 Records We Slept On And Missed in 2010
An Excerpt from 2011 Mid-Year Review
By Nathan G. O'Brien on Scene Point Blank.


Ghostface Killah-Apollo Kids
Dropping in right at the end of the year (released on 12/21), Ghost returns with an album of bangers not heard since 2006's Fishscale—gritty, graphic, passionate, and, well, real. Guest spots from a bevy of storytellers, including Busta Rhymes, The Game, Redman, and fellow Wu members and affiliates, matched with soul and funk-sampling production from the likes of Jake One, Yakub, Pete Rock and others make for an undeniably true hip-hop album. Standout tracks are “In the Park”—a back-in-the-day jam that features the Roots’ Black Thought spitting rhymes harder than you’d think he’s capable of—and “How You Like Me Baby”—which has one of the best Ghost choruses since Fishscale’s “Be Easy.”

Kylesa-Spiral Shadow
Another late year release (10/25); Spiral Shadow shows Kylesa picking up where they left off on Static Tensions—continuing to shed the crust-tinged edges of their past; delving further into progressive and psychedelic areas. This is the third and cleanest-sounding Kylesa record that has been produced in-house by guitarist Phillip Cope. While an emphasis on flawless production often times produces disappointing results in the world of sludge and doom, it’s a totally natural progression for Kylesa. And if you have any doubts as to whether they can still bring the lumber, one listen to this record will prove otherwise. Aside from including Kylesa’s most palatable song to date— “Don’t Look Back”—Spiral Shadow is quite the thunderous project; thanks in large part to the dual drum attack of Carl McGinley and Tyler Newberry.

Men’s Interest-More War
Shaun Dean, of Cold Sweat and Repercussions fame, returns fronting a new band—the menacing Men’s Interest. More War is somewhat mysterious, as there are no song titles—just numbers, and very little information other than the name of the band and the title of the record. Dean’s vocals are more penetrating and maniacal than ever before—imagine GG Allin and H.R. tongue-kissing each other, with melted cheese stuck in their throats. If that description makes you feel queasy you might want to take an antacid before listening to the record because it doesn’t get any less forbidding. More War is seven songs of raw, noisy hardcore that will leave you feeling sketched out yet yearning for more—the vinyl equivalent of methamphetamine.

OFF!-First Four EPs
A hardcore punk rock supergroup of sorts, OFF! Features members of Red Kross, Burning Brides and Rocket From The Crypt, fronted by former Black Flag/Circle Jerks front man and current punk historian/know-it-all, Keith Morris. With no song clocking over the minute and a half mark, Morris has never sounded more urgent, and dare I say, youthful. The production of these songs strikes a perfect balance between old and new—the guitars are clean and loud, but Morris’ vocals are allowed to crack and pop the microphone in a way that recalls the raw energy of early Black Flag. First Four EPs is just that—a collection of four different EPs. They come nicely packaged, complete with artwork courtesy of Raymond Pettibone, who is responsible for creating much of the iconic imagery of the era of hardcore that the members of OFF! first cut their chops in.

Unperson-Demo
Out of Boston, MA comes yet another bad-ass hardcore band. Short, fast, loud, heavy, raw, noisy, ripping, raging, yada-yada, you know the drill—there are only so many ways to describe this stuff; all of them fitting for this six-song demo by Unperson. Their tunes are quick, fevering jaunts, done in less than a minute, with vocals that are more shouty than they are screamy. Think female-fronted Capitalist Casualties or Dropdead. If you look up “hardcore demo tape” in the encyclopedia, you’d find this. By the time you read this Unperson may have disbanded. But fret not; Krystina and another member are in a band called Curmudgeon, which is in the same vein, and have already released a demo.

Please continue to Scene Point Blank to read the rest of our 2011 Mid-Year Review feature.

7/11/11

Record Review: Random Axe

Random Axe-Self Titled (Duckdown)
By Nathan G. O'Brien on Scene Point Blank.

As the record progresses it becomes clear Guilty Simpson— although the lesser known of the two MCs— is the star of this show. In terms of scope, his topical range reaches further and wider, while Sean Price seems to suffer from an apparent lack of subject matter. Most famously known as a member of the Boot Camp Click, Price is the most gangsterish of the crew and he makes no bones about it. Although his delivery is effective, he doesn’t offer up much other than gun-clap raps. In “Monster Babies” he spits, “I am the pick of the litter/You are the bitch the gets hit and starts snitchin’ on Twitter/Tweedledee-Tweedledumb niggas/When you see P you better have your gun, Nigga.”  ...continue reading after the jump to SPB.

7/10/11

Scene Report: Art In The Streets at MOCA

Art In The Streets, Geffen Contemporary at MOCA, Los Angeles, CA, 7/9/11

From the MOCA website: "Art in the Streets is the first major U.S. museum survey of graffiti and street art...the development of graffiti and street art from the 1970s to the global movement it has become today...paintings, mixed media sculptures, and interactive installations...will emphasize Los Angeles's role in the evolution of graffiti and street art, with special sections dedicated to seminal local movements such as cholo graffiti and Dogtown skateboard culture. A comprehensive timeline illustrated with artwork, photos, video, and ephemera will provide a historical context for the work."

From the first time I heard about this, I knew there was no way I was going to miss this show. Words can't describe how much stuff is up in here.  Just amazing.  It's like, everything I love about...I don't know...life.  All in one place at one time.  I can't imagine the amount of work that went into putting this together.  Every time I turn the corner, there is something new--something or someone I recognize, some artifact from my youth, something I've only heard about or seen in magazines.  Its like constantly trying to catch your breath but never being able to.  The poor GF is dizzy within' minutes of being in here and it's going to take hours to get through.  There is literally no escape from the imagery--explosions of color, dirt, grime, sound, words, debauchery, etc.  It's swirling all around us. Haze's original sketch of the Beastie Boys Check Your Head logo, Jaime Reid's original Sex Pistols collages, Jean-Michel Basquiat, cholo lettering, Neckface, Craig Stecyk's Dogtown photos, Fab Five Freddy, Bozo Texino, Dash Snow, Rammellzee, Terry Richardson photos from his punk rock teens, Raymond Pettibone, Thrasher Magazine, Estivan Oriel, motorcycle gangs, Banksy, Fairy, McGhee, Os Gemeos...ugh, too many to name.  It's fucking U N B E L I E V A B L E!  Seriously.  I'm having a hard time comprehending it all.

We are being mind-fucked to death so hard that we are coming back to life...

Here's a few thirty some photos so far, but this won't be the last you'll see of Art In The Streets on HDD...


Art In The Streets, Geffen Contemporary at MOCA, LA, CA, 7/9/11

7/5/11

HDD reviewed on One Minute Zine Reviews

Listen to this amazing one minute audio review of HotDogDayz issue #2.  You'll no doubt want to get your hands on a copy after hearing such high praise.  No, srsly, thanks to DJ Frederick for taking the time.  We greatly appreciate it.  Take a listen...

http://zinereviews.blogspot.com/2011/07/audio-review-hot-dog-dayz-2.html

Contact us at bnb@hotdogdayz.com or thee.n.o.b@gmail.com or simply click on the PayPal link on the upper right hand side of this here blah-guh.  It's all the rage, man.

6/29/11

Scene Report: Motley Crue and Poison Live At The Target Center

Mötley Crüe and Poison- A Live Report
By Nathan G. O'Brien on Scene Point Blank 

It was as if the rural communities of Minnesota and Wisconsin took a giant crap all over downtown Minneapolis on Friday night. I’ll paint for you a simple picture of the folks in attendance: Old. Fat. Ugly. White. You might laugh at me, but I was actually a little surprised by this. I have seen the Crüe a few times in the last six or seven years and the crowd is usually a little more, ah, current. At one point the GF told me it would look less-obvious that I was in awe of these creatures, if I was actually talking to her while observing them, rather than standing there— jaw on the floor, shaking my head in disbelief.

Coors Lights were eight bucks a pop...  Continue reading here. 

6/27/11

Record Review: Mauser-End Of The Line

Mauser-End Of The Line (Vinyl Rites)
By Nathan G. O'Brien on Scene Point Blank

In terms of underground punk, there has been a noticeable trend lately towards a less-produced sound—a focus more on rawness and distortion, than on cleanliness. Such is the case with this Gainesville, FL four piece’s impressive new 7”. There is an obstinate noisiness present throughout End of the Line—blown-out, screaming vocals, guitars and bass dripping with reverb, and severe blast beat drums—that will leave the listener feeling dizzy, exhausted, and quite possibly looking for a Xanax. Yes, played at the proper volume (loud, duh), this stuff is totally capable of triggering a panic attack.  ...Read the rest of the review here.

6/25/11

HDD reviewed in MRR

The fine folks at MaximumRocknRoll reviewed HotDogDayz #2 in their latest issue. A few inaccuracies though--it is issue #2, not #1 and it is $5 donation, not free...unless you are broke, want to trade, or ask nicely. We still have some of these left. Email one of us at bnb@hotdogdayz.com or thee.n.o.b@gmail.com or simply use the PayPal link at the top right of this here blaaaarg.

MRR #338, July 2011

6/24/11

Scene Report: The Gateway District Live At The Hexagon Bar

The Gateway District live, Hexagon Bar, Mpls, MN, 6/23/11

You know those times; you're standing alone in a dingy bar, watching a really great band--maybe you've had a few...or a few too many--and suddenly a wave of sentimentality comes crashing down onto you, crippling your emotional coping capability, leaving you no choice to but to face the fact that perhaps you'll never see those certain someones again--be it your running mates from the salad days or the ones-that-got-away--and that even if you did, it wouldn't be like it was back then, and then you decide it's a good time to start sending out text messages to the folks in question.  Oh, that's never happened to you?  Huh.  Well if it did, odds are it was while you were singing along to The Gateway District.

Last night's crowd at the Hex was sparse to say the least.  Perhaps it was the bubblegum garage pop of Oakland, CA's overrated and gimmicky No Bunny, taking place across the river at The Turf Club (highly unlikely), or maybe it was because--depending on if you still look at MySpace band pages or not--you didn't even know GD was even playing.  (Thank gawd for Facebook updates, amirite?  Nah, JK.)  Even with the meager audience The Gateway District did what they always do best--have a blast playing good-time, catchy pop punk.  As usual it was all smiles on stage between the two former Salteens, Carrie and Sturgeon; and those vibes extended to us, making it easy to have just as much fun as they were.  Like the last few times I've seen GD, there were the same three or four superfans right up front, singing along.  I know they are just having a good time and who am I to knock them for that, but at certain point it becomes a little obnoxious and quite frankly, annoying.  You're not in the band.  GD played all the older ones from Some Days You Got the Thunder and a bunch songs that I didn't recognize, that I assume are from the brand new record, Perfect's Gonna Fail.   They were by far the most captivating band to play last night, as evidenced by their set being the only time the band room of the Hex was somewhat full.

For loner dudes like me, the only downside to seeing the Gateway District play is that it has to end at some point.  And then you are left, an emotional wreck, nostalgic for days (and people) gone by, trying to hide under the brim of a tightly pulled Twins cap, staring at your phone, wondering what those certain someones are up to, and shooting off ill-advised text messages to them, which will no-doubt go unanswered, prompting you to go home and spend the late-night hours YouTubing videos the 'Mats performing "Answering Machine."

6/20/11

HDD Summer Series #2: A Tribe Called Quest

The Tribe documentary comes out in a couple of weeks.  Apparently everyone involved with this flick is pissed off at each other, playing a game of he-said-she-said. Who cares! Here's hoping this comes to the TC. It's bound to bring back a lot of memories...

It's no secret, Tribe was the shit. I still remember the first time I heard of them--Yo! MTV Raps with Ed Lover and Doctor Dre, all day! The video was for "I Left My Wallet In El Segundo" and I knew immediately that I had to have it. I spent more than a few summer days walking the shores of Lake Bemidji and Nymore (what'up Nymore!) with a deuce-deuce of Mickey's in a paper bag, rocking People's Instinctive Travels and Paths of Rhythm or Low End Theory cassettes on my knockoff Walkman. This was well after Midnight Marauders was out on CD, but my broke ass still didn't have a CD Walkman. I had the pleasure of seeing them three different summers--Lollapalooza in '94, Smokin' Grooves in '96, and opening for the Beastie Boys on the Hello Nasty tour. You know, like, back before you were born and shit. 

And let's not forget Michael Rapaport has been down with hip-hop since way back. Zebrahead anyone? Shit, that man named one of his kids after Maseo from De La Soul.  It's comical to think about now, but that shit--white kids into hip-hop--was kind of controversial back in the day. And I can tell you from experience, it wasn't easy. (Shout outs to my old-school Bigfork "wiggers.") Anyone remember Chris Mullin shouting out Brand Nubian in 1990? I do. 

I also remember a living room, the smell of herb hanging heavy in the air, a ridiculous amount of blunts being passed, and "Jam" from Beats, Rhymes and Life on the stereo; everyone rappin' along, "It was a Friday afternoon in the middle of June/Heineken bottle caps and the aroma of boom...Then he introduced me to that hydro smoke/I took one toke/Yo, I almost choked."

Hellz yeah, I'm looking forward to this.

6/13/11

Record Review: Culo-Toxic Vision

Culo-Toxic Vision (Deranged Records) 
By Nathan G. O'Brien on Scene Point Blank

As it turns out, Cülo are actually four white dudes from Elgin, IL—technically a suburb. I have to admit: a younger, idealistically naive version of me very well may have dismissed a band based on such knowledge. Now, as a seasoned veteran of this game, I can proclaim confidently (and with only a tiny percentage of irony): the suburbs got it goin’ on!  ...Read the rest of the review here.

6/2/11

Scene Report: Dirty Biker Party

Last Sunday we went to the Dirty Biker Motorcycle Shop for a party aptly titled, Dirty Biker Party. Billed as a "Motorcycle and Metal Show," it was a full day of music, BBQ, beer, and, of course, motorcycles. Unfortunately, the nice weather was too nice for people to not be out riding, which meant their were not as many cycles in the lot as they had hoped.  But there were still a handful to check out...if you dare get near them.  (Not sure if you're aware of this, but bikers can be kind of intimidating.)  A total of five bands, spanning the metal spectrum, tore it up inside the shop, while various volunteers kept the grill rolling all day outside. And everything was complimentary to boot. There was a modest but enthusiastic crowd in attendance—not bad for an event in a city ripe with Memorial Day options for those not camping or on the road.  We know we must have had a great time because we woke up with sore necks from headbanging and hangovers from, well, you know what causes hangovers. 

We got a chance to catch up with Jason Austin, owner and operator, of the upstart Dirty Biker Motorcycles, to chat about the shop and the party...

HDD: Tell me a little bit about Dirty Biker. You’re a new shop—when did you start?

Jason Austin: We opened up shop in the spring of 2011.

What’s your deal? Like, what services and/or products do you offer?

We specialize in service/repairs for all Harley Davidson, American V-Twin custom motorcycles and select import bobbers and choppers. We also buy and sell new and used parts for these types of bikes. We will also do motorcycle apparel. As well, we do house calls for motorcycle services and simple repair, and towing, detailing, storage, and consignment sales of motorcycles.

How did you come up with the idea for the party this past weekend? What inspired that?

It came from a vision I continually get when I look in my parking lot—it screams, "If you throw it, they will come.” I have all this space; I may as well use it. This shop is more than just a business to me—it’s about building off of the local art and music scene and incorporating it into the motorcycle scene. And I guess the party was me making a move on that.

Nice. We look at our bicycles as pieces of art—the way people personalize their fixies and whatnot. Motorcycles—especially customs—are pieces of art too.

I think of these bikes as art that people are building in their homes or garages. I like being a part of that scene. It’s where I get the inspiration to build myself a custom bobber or chopper.

The party was a success, wouldn’t you say? Both kegs were killed and all the food was gone by the time the last band finished up.

The party was success in my mind even if there were more cars in the lot than motorcycles. The people that were here thoroughly enjoyed themselves and were appreciative of what I am trying to do down here.

I assume you look forward to having more events like this one.

I plan on having another party real soon. I want to do some art shows as well. Dirty Biker is not just a motorcycle shop to me—it’s an art gallery, it’s a music venue, and it’s a place to both give and receive inspiration.

Dirty Biker Motorcycle Shop
1117 Washington Ave S (Next to Grumpy's)
Minneapolis, MN

Shop Hours: Mon - Sat, 11am-7pm during the riding season.


























Dirty Biker Party, Dirty Biker Motorcycle Shop, Mpls, MN, 5/29/11