7/1/12

Scene Report: A Punker's Revenge-A Celebration of Speedboat Gallery

A Punker's Revenge: A Celebration of Speedboat Gallery @ CO Exhibitions, Mpls, MN, 6/30/12
Speedboat was an art gallery in St. Paul that was open from '88 to '94 that, aside from art shows, had like, rad punk and alt shows and Schlitz beer and stuff.  I can't really speak on it, as I wasn't an actual resident of the TC at that point.  All I really remember is reading something about it in Details magazine back in the day, which was kind of a big deal to me probably.  I'm told that, for those that were hangin' back then, it's on some real personal/emotional type shit.  And as someone who has been around for a minute now myself, and seen my fair share of all-ages spaces, galleries, old bastions of punk and youth, etc. close up shop, I totally respect that for sure.  So, it was a no-brainer that I would be checking out the opening of the SBG revival last night.  Bands, beer, art...old/former scenesters--DUH!

It was way nice up in there too.  The art was a mix of old flyers (Slant 6, Mickey Finn, Lifter Puller, NOFX), some pieces that had ran in Speedboat back in the day, and new-ish things from new-ish peeps.  Much of it reminded me exactly what it is I love about art: that, like punk rock, anyone can do it...and that it is totally undefinable.  Most of it had a very--and I don't mean this in any way other than complimentary--untrained aspect to it.  Very DIY'y.

Two bands played.  One of which was Speedboat founder Paul Dickinson's band Francis Gumm.  They were alright but I missed most of their set.  It sounded very much like a TC band that would have been around in the '90s.  The other band, whose name I erroneously forgot to write down, I really enjoyed.  It was a post-punky, Brit rocky, male/female dual vocals thing with keyboards.  The dude told an endearing story about how he had a I'm-getting-old type panic attack just minutes after arriving, when seeing some of the flyers on the walls triggered memories of watching Bikini Kill and Huggy Bear at Speedboat back in the day.

As for the people in attendance: predictably is was the beer bellies and balding crowd--would-be "hip parents" that are in all actuality out-hipped by their teenage sons & daughters.  Overheard: "See son, I told you I used to be cool."  On the other hand, it was the kind of place where guys in their 40s could casually stroll in, wearing a super hero t-shirt that doesn't look at all out of place or ironic, and make beeline for the beer.

And on top of it all off, anyone that was looking close enough got Craig Finn's phone number--pre area code split, back when the entire metro was 612.  (I tried it--it doesn't work.)

-BNB

For more about the history of Speedboat Gallery, read an oral history here.







"AC/DC's Washing Machine" by Sean Smuda




Art by Frank Gaard


Francis Gumm



"Old Man Joke" by Michael Mott

"Charles Barkley Series" by Noah Harmon

"It Was Nice To See You" by Jake Spriggins

"Wishful Thinking" by WC Wormley

???




6/26/12

Record Review: Oh No-Ohnomite

Oh No-Ohnomite (Brick)
By Nathan G. O'Brien on Scene Point Blank

Following two collaborative efforts already this year alongside his fellow beatsmith and emcee The Alchemist as the duo Gangrene—the Vodka & Ayahuasca LP and the Odditorium EP—the West Coast producer and rapper Oh No returns once more for a solo mission with Ohnomite. Oh No—the younger brother of Madlib and son of singer Otis Jackson—was granted unmatched right of entry to the Rudy Ray Moore/Dolemite audio archives—which included legendary material from The Human Tornado, Petey Wheatstraw, the Dolemite Soundtrack and more, plus a multitude of previously unreleased and alternate acapellas and instrumentals. With that access came free rein to sample and manipulate it any way he see fit. The end result is a trunk-rattling chaotic burlesque of witty lyricism and gritty beats assembled from the nastiest fragments of funk, soul and Blaxploitation.  ...continue reading in new window.

6/19/12

HDD Radio #6: Punk Rock 2-4-1s

For this episode we serve up a gigantic helping of punk effin’ rock in the Classic Rock Radio-like format Twofer Tuesdays. That’s right, it’s 2-4-1s—every artist, two songs each! Listen as our fearless DJ rambles on at length, saying virtually nothing of importance, whilst keeping intact all the confusion, factual inaccuracies, and mathematical errors you’ve grown accustomed too. Sets include: New Swedish “epic crust”, ‘90s California punk, and songs from early ‘00s split LPs.
Tracklist:
Anatomi-71 - Mot Morkare Vatten
Wolfbrigade - Slaves of Induction
Wolfbrigade - Hurricane Veins
Martyrdod - Ett Hjarta Av Eld
Martyrdod - Kottberg
Anatomi-71 - Omen
Bad Religion - Eat Your Dog
Bad Religion - Sensory Overload
Social Distortion - 1945
Social Distortion - Playpen
Fear - Disconnected
Fear - Gimme Some Action
The Vandals - Wanna Be Manor
The Vandals - The Legend of Pat Brown
Circle Jerks - Beverly Hills
Circle Jerks - Live Fast Die Young
TSOL - Superficial Love
TSOL - Abolish Government/Silent Majority
What Happens Next? - The Price We Pay For Vegan Convenience
Lifes Halt! - Casa De Herrero, Cuchillo De Palo
From Ashes Rise - So Say the Wise…
From Ashes Rise - Uniforms
Victims - En Galen Drom
Victims - End Up In Pain
Crucial Unit - Scrabble Punx
Crucial Unit - This Machine Kills Buffets
Municipal Waste - Poser Disposer (?)
Municipal Waste - Haunted Junkyard
Phobia - Fallacy of Tomorrow
Phobia - Short Lived
Resist and Exist - Sung Lee’s Reflection
Resist and Exist - Apocalyptic Prison Struggle
Life’s Halt! - No Estoy Loco
What Happens Next? - Mano A Mano

Subscribe in iTunes here. Thanks for listening!

6/17/12

The Soda Killers #2 reviewed in MRR

TSK #2 got a nice review in the latest Maximum Rock-n-Roll. And made the Top Ten too. Still some left. Holla at the email if you're into it...or if you're wondering why it costs $5, we'd be more than happy to explain that to you. All you big-time frivolous spenders and wealthy folks can just hit the PayPal though, and we won't be mad at it one single bit.  Trades not only welcome, but encouraged.  Peace!



6/16/12

IYSAGL, CM #6 Out Now

If You Stink At Getting Ladies, Call Me--issue #6 out now. A year and half's worth of really bad jokes and some Xeroxed-to-death crusty art steez. Free. Mail Only. Send your snail addy to: bnb@hotdogdayz.com

6/14/12

Record Review: 1982 (Statik Selektah & Termanology)-2012

1982 (Statik Selektah & Termanology)-2012 (Brick/Showoff)
By Nathan G. O'Brien on Scene Point Blank

In what makes for a numerically confusing artist/album title (and opening sentence,) 2012 is the new record by 1982—the producer/rapper duo Statik Selektah & Termanology.

At just 30 years old, DJ/Producer Statik Selektah has enough projects under the flattened brim of his New Era cap to have earned veteran status—utilizing his turntablism skills and signature Golden Era-influenced boom-bap production, he holds a spot amongst the current ranks of the East Coast’s more pivotal figures. Over the course of a series of mixtapes and albums, he’s provided beats for some of rap’s highly revered MCs (Nas, Q-Tip, etc.) as well as having a hand in shaping the careers of emerging rappers (Saigon, Freddie Gibbs, Reks, etc.) Aside from a handful of EPs with various artists, 2011 saw him releasing a lofty yet superb solo outing Population Control, and teaming with Action Bronson on Well Done.

Similarly, Termanology has been making a name for himself with a number of well-received singles and mixtapes dating back to the early ‘00s. He was pushed into the underground limelight when Gangstarr’s DJ Premier stuck him with one of his reliable, cut-laden beats for the instant hit, “Watch How It Go Down.” The track earned him some much deserved praise; as he went on to appear in rap magazines like The Source and XXL. Since that time he has ran alongside such go-getters as The Alchemist, Pete Rock, Buckwild, Large Professor, and of course, Statik Selektah. In fact, 2012 marks the fourth time Statik Selektah and Termanology have teamed up under the 1982 moniker.  ...read entire review after da jumpoff.

6/12/12

Scene Report: Royal Headache live at the Triple Rock Social Club

Royal Headache, The Arrivals, Condominium live, Triple Rock Social Club, Minneapolis, MN, 6/9/12
By Nathan G. O'Brien on Scene Point Blank

It was with some intrigue and, admittedly, mostly trepidation that I made my way to the Triple Rock last night to see Sydney, Australia’s Royal Headache. Originally my curiosity had been piqued because Extreme Noise, the beloved local volunteer-run punk rock record store, was sponsoring the event. Rarely do they attach their name to something that isn’t completely worthwhile. Yet, my apprehension levels had skyrocketed right about the time I read Royal Headache’s press release, which stated “They craft tight, irresistible, R&B-inflected punk songs, and hone a universal message of redemption through passion.” Now I understand a thing or two about drumming up interest in a band, especially when paid to do so, so I was not scared off so much by the “universal message of redemption through passion” part. That’s just one of those puzzling strings of words that press release writers craft in hopes that it will give their product some attention. No, what made me cringe was the “R&B-inflected punk songs” part. Other than hip-hop or the increasingly rare musical side of Justin Timberlake, I don’t really get into “R&B-inflected” anything, let alone punk. In the early ‘00s when everyone was in front of the stage shaking their hips to the Bellrays or the Dirtbombs, I was at the bar irritably ordering more drinks, wondering how I got duped into believing this was punk. So, despite the chances being high that Royal Headache would be something I ultimately wasn’t going to enjoy, I begrudgingly drug myself off the couch and out the door to see what all the hubbub was about anyway. Besides, Condominium was one of the opening acts, and passing up an opportunity to see them would be foolish.  ...continue reading entire review right here.

6/11/12

HDD Radio #5: Beastie Boys and more

After a lengthy break, HotDogDayz Radio is back! Taking to the airwaves in the middle of the night, this episode pays homage to the late great Adam "MCA" Yauch and the Beastie Boys! Listen as our DJ goes off-topic with relative ease; mispronounces words; talks about all the things he is "obsessed with"; describes records as "really good", "really great", and "really awesome" a whole bunch of times; tries to remember things from his rapidly vanishing youth; repeatedly says the wrong release date for Ill Communication; and then goes off-topic again. Sets include: '80s and '90s rap, '80s and '90s hardcore, and some of the best rap from 2012 so far.

Tracklist:
Beastie Boys - Slow and Low
Ultramagnetic MCs - Give the Drummer Some
Gang Starr - Step in the Arena
Eric B. & Rakim - The R
Main Source - Looking at the Front Door
Beastie Boys - Brass Monkey
Beastie Boys - Tough Guy
DFL - Minus Adam
Void - Organized Sports/Annoyed
Void - Black, Jewish and Poor
Flipper - Living for the Depression
Black Flag - Beat My Head
7 Seconds - Regress, No Way
DFL - Action Everybody
Beastie Boys - Heart Attack Man
Beastie Boys - OK
Killer Mike - GO!
El-P - Full On Retard
I Self Devine - Cycles
Apollo Brown & OC - People's Champ
Beastie Boys - Non Stop Disco Power Pack
Beastie Boys - Dr. Lee PHD.

Thanks for listening!  Subscribe in iTunes here.

6/4/12

Record Review: Martyrdöd-Paranoia


Martyrdöd-Paranoia (Southern Lord)
By Nathan G. O'Brien on Scene Point Blank

Swedish ragers Martyrdöd, along with Acephalix and fellow countrymen Wolfbrigade, are the latest to be chosen in the great Southern Lord crust roundup. Featuring former and current members of Skitsystem, Agrmonia and others, Martyrdöd have been unleashing their brand of blackened everything to the crust-consuming masses for over a decade now. Their latest offering Paranoia was recorded at Göteborg’s famed Studio Fredman, the studio run by producer Fredrik Nordström and recording home to mediocre metal acts Dimmu Borgir, Arch Enemy, the increasingly less-relevant Opeth, and former luminaries like In Flames and Amon Amarth. Not surprising then, the record has a richer-sounding production value than Martyrdöd’s back catalog of stench on smaller labels like Havoc and Plague Bearer. That is not to say that fans of their mid-century masterwork In Extremis, will feel alienated by this; perhaps just a bit startled at first.

The most notable difference is how the guitars come across really clean. There is still the full-on power and blunt straightforwardness indicative of D-beat but it’s been polished up enough that listeners are allowed to hear the multitude of layers created by skilled axemen Pontus Redig and Mikael Kjellman—incorporating, among other things, aspects of punk, hardcore and classic Swedish death metal. In that same regard, the partition of instrumentation lets the rhythm section make its mark on the overall sound as well. Bassist Anton Grönholm and drummer Jens Bäckelin plod and pound their way through a thunderous Dis-laden low end backdrop. While the guitar work hints at it, it’s really the hateful and tortured vitriol of Kjellman’s vocal styling that adds a heavy dose of black metal to the mix. He furiously spews a poisonous snarl that sounds like he’s been gargling with ammonia and bleach—a distinction that longtime fans will recognize and appreciate. It all makes for a very dark and toxic landscape, in which Martyrdöd ascends the lordship.

Crust, and all that it infects—D-beat, grind, doom, etc.—is often times the amalgamating factor that unites metal heads and punk rockers. By that same token, it’s the quality of the production that can create the dividing line where crust becomes either too metal or too punk. Punk is best served by a raw inflammation of unharnessed potential and noise, whereas metal benefits from attention to detail, subtle nuance and skilful craftsmanship…or something. All that being said, what side of the fence this album lands on is a non sequitur because it has all those effects functioning in accordance—it’s metal, it’s punk, and it’s really fucking good. These Swedes are glistening a little more than usual; but far from being fully sanitized. With Paranoia Martyrdöd makes small strides towards large audience exposure, all the while keeping intact venom and unrefined sonic muscle that placed them atop of the indie crust heap years ago.  ...Continue reading right about here.

5/29/12

Record Review: Quelle Chris-2Dirt4TV EP

Quelle Chris-2Dirt4TV EP
By Nathan G. O'Brien on Scene Point Blank

Hot off the heels his under-appreciated 2011 debut full-length Shotgun & Sleek Rifle, Detroit MC/producer Quelle Chris drops his latest EP, 2Dirt4TV. This time around Quelle steps from behind the boards, leaving the production to “Legendary underground MySpace producer” Mr. Dibia$e. The result couldn’t be more seamlessly harmonized, as Dibia$e’s laid-back boom-bap balances Quelle’s nonconformist flow in way that recalls the arty weirdness of rappers like Das Racist, fellow Detroiter Danny Brown, Devin the Dude and oddly enough, Native Tongues.  ...read all of this awesome review at this jam right here.

5/26/12

Scene Report: Punk Night at Memory Lanes Block Party

Memory Lanes Block Party, Punk Night, Mpls, MN, 5/25/12
Things got off to an early start on the bigger stage with ska-punkers Rocksteady Breakfast. Yes, you heard that right: in the year 2012 AD, there is still such a thing as ska-punk. And the band is not made up of junior high kids like you'd expect. Yawn. Pretty sweet street-punk looking crew though. Lots of attention to detail when it comes to their, ah, outfits.

Brain Tumors, one of the bands that will be on the HDD All-City First Team of Punk, played next on the tent stage.  (They will be #2, 3, 4, or 5, but not #1.  That spot belongs to Condominium.  We'll be addressing our first and second teams in upcoming posts.)  The lead singer Drew is a maniac; a drunken maniac.  He comes from the school of thought that hardcore is supposed to be violent and confrontational and he does it really well.  He was bleeding from his lip, forehead and arm by the time the first song ended.  He actually punched me in my eye at one point.  They were as impressive as ever.

Children of Euler were next up on the big stage.  They play some technical, prog-ish black metal type of thing.  I dig it sorta.  Pretty sure I’ve seen them before but I can’t remember where.  There was lots of mathematical and scientific kind of chatter between songs.  Someone told me they are all really smart math dudes and that the lead singer even teaches math somewhere.  I cannot confirm that; it's just something some drunken chick with Addicts, Misfits and Subhumans patches said to me.  I'm pretty much over anyone that is still wearing any of those patches when they are legal drinking age.  Those patches are for the young'ns who are just getting into punk.  Once you can legally buy booze for yourself, you should get into D-beat or crust or something.  You’re like, old and shit.  Speaking of young'ns wearing patches, I will never get over kids wearing any patches of any punk band ever.  That shit is the bomb, and makes me smile and/or tear up every time I see it.  What can I say; I'm a sentimental wreck when it comes to this shit.

Back on the small stage was Chicago hardcore ragers Manipulation.  Pretty fucking rad, but dude's mic cord wasn't as long as Drew's, so he couldn't be as in-your-face as Brain Tumors was.  Not that they didn't give it their best shot though.  I dug it for sure. I also started drinking at this point, as I was tired of waiting for Lars the Heathen to get there.  I went to take a piss after Manipulation was done, and literally five seconds after I stepped in the honey bucket, a dude started pounding on the door and screaming at me for being in there too long.  I finished pissing and waited for him to hit the door again.  Then just as he did, I kicked that motherfucker open as hard as I could and nearly broke the dude's hand.  He immediately stepped down like, "Ah man, it wasn't me."  I'm like, no I'm pretty sure it was you and that’s why your hand hurts now—because you were being an asshole.  He walked away.  He must not have had to use the bathroom so bad anymore.

Varix played next on the big stage.  They were good but that stage was way too big for them, and as result, they sort of lost the crowd.  Lars arrived and we started pounding beers in a bad way.  Some dude sat on the edge of table that Lars had set his beer.  It flipped into the air and all over the Brown Sugar LP that I had just purchased from the Manipulation distro.  Dude gave us a look that pretty much said, "I'm not going to apologize for shit."  I had to physically stop Lars from pummeling this guy.  He wouldn't calm down until I reminded him that he probably doesn't want to go back to jail.

Once again back to the small/tent stage where In Defence did their thing that they always do.  I'm fairly certain that anyone that has made it this far knows what In Defence is all about, so I'll spare you the details.  I'll just say this: their performance and subsequent crowd reaction was enough to make the guys from Needles, who were watching intently from the side, decide they were going to play on the small stage instead of the ridiculous big one where they were scheduled.

By the time Martin and crew cranked out their first screeching note, the crowd had nearly doubled in size and everyone was seemingly wasted and/or psyched to see Oakland's Needles.  And they did not disappoint!  As with Martin's previous bands, energetic thrashy hardcore is the name of the game.  Big circle pits, empty pizza boxes being tossed about, and stage diving was just a few of the ways in which the audience reacted.  One dude even attempted to climb one of the poles that was holding the tent up.  Lars disappeared with some woman he knew from Black Label Bicycle Club for awhile.  I was pretty sure they were making out and/or snorting blow in the handicap honey bucket. But I was too buzzed and too wrapped up in the chaos to care.  Needles is the shit, man.

Inside for the late show, I caught Cognitive Dissonance's set on the bowling lane stage.  They pretty much get better every time I see them.  And I had just seen them last Sunday opening for Tragedy and I thought they were awesome then.  (Cog-Dis, like Brain Tumors is also on the HDD All City First Team.  Come to think of it, In Defence might be on there too--they will for sure make Second Team if anything.)  On my way out the door I ran into Lars, who confirmed my suspicion.  He had been making out AND doing blow in the handicap honey bucket with one of the girls from Black Label.  That is until some of the dudes in Black Label got pushy with him and made the girl leave with them.  That was probably for the better anyway.  I decided to call it a night, as I had some shit to do this morning, already had about seven beers, and little interest in seeing The Arrivals.  Plus there was no way I could keep up with a coked-up Lars the Heathen at this point.

On the ride home, I stopped at Cub Foods and bought a Red Barron, which I ate almost all of before passing out on the couch.  I never did that shit I was supposed to do this morning and I hate myself for eating like a pig.  Not sure how Lars’ night ended, but I’m crossing my fingers that it wasn’t in some sort of police standoff.  The end. 
  
Sweetest kids ever in history of punk rock.


Manipulation

Needles circle pit

Needles circle pit2

Martin Needles


Needles

5/21/12

Record Review: Police Bastard/WAR//PLAGUE-Attrition split LP

Police Bastard/WAR//PLAGUE-Attrition split LP (Profane Existence)
By Nathan G. O'Brien on Scene Point Blank

Attrition brings together two punk bands from opposing sides of the Atlantic Ocean—England’s Police Bastard and the United State’s WAR//PLAGUE. Most of the material was recorded at various points in 2009 but not released on vinyl until May of 2011, when Profane Existence Records pressed up a couple thousand slabs of wax to unleash to patched-up masses.

WAR//PLAGUE is from Minneapolis, MN and is made up of veterans of that scene—members having previously played in bands like Pontius Pilate, Provoked and Scorned, among others. It’s hard to pinpoint their sound exactly, as they swim in the coagulated genre scum pond that is modern day crust, but also do a fragment of D-beat the way it was done in the ‘80s and ‘90s—the guitars are lower in the mix but not buried, and the vocals, while gruff, are clear enough that you can understand the lyrics.  ...read full-length review at this place.

5/14/12

Record Review: Reks-Straight, No Chaser

Reks-Straight, No Chaser (Brick Rec./Showoff Rec.)
By Nathan G. O'Brien on Scene Point Blank

Where Reks’ previous albums have featured beats from a variety of producers—DJ Premier, Pete Rock, Large Professor, Alchemist, Hi-Tek, etc.—Straight, No Chaser’s weakest point comes as a result of the singularity in production. Having saturated the market with an impressive grip of projects with other MCs in the last couple years—Action Bronson, Terminology, Freddie Gibbs, to name a few—it’s not surprising that there are moments here that indicate Statik Selektah may be set on autopilot. The whole thing loses some serious steam about two thirds the ways in. In fact, it’s hard to tell if Statik just took a timeout or hit the wall completely. Being a long-time collaborator with Reks and even the godfather of one of his children, it’s hard to imagine Statik just gathering a bunch of throw-away or rejected beats from some of his other projects for this album, yet it does seem only half-motivated. Lyrically, Reks spans a variety of autobiographical-slanted themes in an honest manner in which the title implies. Straight, No Chaser is a personal reflection on a number topics such as political upheaval and empowerment, Capital Vices, divorce, and living with regret. On “Parenthood”—wherein the message is simple: “be a parent in the hood”—he goes at fathers who are continuing the succession of leading their sons into street life: “A boy needs a father to lean on/If he gone, the cycle gonna repeat/Just keepin’ On.” In short, despite some lackluster production, this is Reks most grown-up and progressive outing to date. ...read full review right about here.

5/12/12

One Minute Reviews: Sharkpact-Ditches and Total Control-Henge Beat

One Minute Reviews
By Nathan G. O'Brien exclusively for HotDogDayz

Sharkpact-Ditches (Rumbletown), Total Control-Henge Beat (Iron Lung)

As long as I've been reading it (not going to date myself here) and as much as I am 100% supportive of what they do, I sometimes find myself shaking my head at the ridiculous collective entity that is Maximum Rock-n-Roll Magazine.  The slightly annoying things like not having a healthy sense of humor and/or irony and offering blatant contradictions from month to month are a given, but you just sort of ignore that stuff because it matters little in the grand scheme.  What I find comical is how after years of shoving various sub-genres down our throats, they turn on a dime and all but denounce said trends for something "totally new," and often times, well, not very punk. (Yes, I do realize that the most un-winnable argument in the history of the universe is what-is-and-what-is-not-punk, and I do not care to get into it now...or ever for that matter.)  Such is the case with Sharkpact and Total Control.  Suddenly all the hardcore, raw punk, noise-not-music, D-beat, and garage we've been told was "crucial" is considered "played out", and we should be listening to bands that are doing something "wholly unprecedented" like Total Control and Sharkpact.  Well, Total Control sounds like Crocodiles and Sharkpact sounds like Matt & Kim...or a less punk Japanther.  So, there you go.  My minute is almost up, so I'll make this quick: the Total Control album is actually really excellent, whereas Sharkpact is, like Matt & Kim, pretty annoying.  But you don't necessarily have to take my word for it--if you're capable of forming your own opinion, and I know you are, there are plenty of really punk things like Spotify or iTunes where you can sample them yourself.  The end. 

5/7/12

Record Review: Anatomi 71-FrĂ¥n Primat till Reptil

Anatomi 71-FrĂ¥n Primat till Reptil (Power It Up)
By Nathan G. O'Brien on Scene Point Blank

This is a heavy slab of melting Scandi-core.  Anatomi-71 has always been good at making pertinent songs fairly free of clichĂ©, all the while prevailing within’ a genre that’s relevance stretches a bit thinner with each notch in the collective bullet belt.  FrĂ¥n Primat till Reptil shows the four-piece simultaneously picking old scabs and generating new wounds—this is a very rock-n-roll infused brand of stench.  I find it incredibly alluring, despite my usual disinterest in this sort of cleaned-up D-beat. ...Read entire review after the cliff jump.

5/4/12

In Memoriam: MCA

A large gigantic portion of the groundwork upon which I live my life was laid forth by three kids whom I never met, yet it felt like they were my best friends.  One of them passed away today.  And with him, a little bit of everything.  It's the saddest of dayz.  "I cuss and I grab my nuts.  Got a six-fingered ring that says 'Excuse Our Dust.'"--Adam MCA Yauch.

-Nathan G. O'Brien

5/2/12

Making Mail

Shits in the mail ya'll. Look for it soon...


5/1/12

Record Review: Mean Jeans-On Mars

Mean Jeans-On Mars (Dirtnap)
By Nathan G. O'Brien on Scene Point Blank

Much in the way Teenage Bottlerocket appropriated the early to mid-‘90s Lookout bands like Screeching Weasel and the Groovie Ghoulies, which were purĂ©eing the Ramones, Beach Boys and macabre cinema, you can’t really credit Portland, OR’s Mean Jeans for bringing anything new to the pop punk landscape whatsoever. In fact, you’d be hard pressed to find a single ounce of originality anywhere on this record. And oddly enough, it’s just that redolent familiarity that makes it so goddamn gratifying. As much as it may bruise my crust-craving ego to admit, I find On Mars to be overwhelmingly adorable. This is punk rock for skater kids, alternateens, and hopeless romantics raised on frozen pizza and gas station nachos, just as much as it for those fending off adulthood; still lurking around the dim corners of fringe society in worn out Chucks and pinned-up hoodies, swilling tall boys of whatever the cheap beer of the moment is, and hipping “the kids” to the days when Danny Panic, B-Face and Danny Vapid were in The Queers instead of, well, whoever is now. ...continue reading after the jizzy.

4/30/12

HDD Radio #4: Art Crawl


This episode is a weird one.  We headed down to the St. Paul Spring Art Crawl and rounded up a handful of artists to sit down and chat about their respective crafts.  Well, at least that was the idea.  Instead what happened is; we all drank a bunch of ‘90s nostalgia beers like Killian’s Red and Rolling Rock and the conversation turned to questionable dating advice, classic rock, and briefly, RuPaul.  We were only able to salvage some of the audio (which is probably for the best) but on the upside, it was a great excuse to play a bunch of arty shit. 

Tracklist:
DJ Dicksuck - Arrrt
Black Face - I Want To Kill You
Condominium - Why Be Something You’re Not?
Condominium - I Don’t Hate Any Of You
Raw Nerve - Dating Problems
Raw Nerve - Ill of the Dead
Raw Nerve - Nervous Habits
Sonic Youth - In the Kingdom #19
Black Humor - Kill Them
Migraine - Blood
Migraine - Black Bile
Triumph of Lethargy Skinned Alive to Death - No Hope Here
Butthole Surfers - Pittsburgh to Lebanon
Pissed Jeans - Spent
Free Kitten - John Stark’s Blues
DNA - Not Moving
Crass - Nineteen Eighty Bore
The Dead Milkmen - You’ll Dance To Anything
Beastie Boys - Cooky Puss

Subscribe in iTunes. Thanks for listening.

4/26/12

The Soda Killers issue #2 OUT NOW~!

Brand New: The Soda Killers Issue #2 
40 pgs of new music & show reviews, columns, photos, and more. 
Digest size, B&W, w/full-color pin-up. 
$5 ppd worldwide! 
Also available for trade. 
Contact andersdinero@yahoo.com or 
bnb@hotdogdayz.com for info or click the button below to purchase.
All pre-orders have been shipped!


4/25/12

HDD Radio #3: Raaaaap

Back again for the very third time, it's HotDogDayz Radio~!  This time around a mysterious man with a soothing NPR-esque drawl takes over the airwaves in the very late/early hours of the evening/morning, after imbibing some beverages, to spin what turns out to be an all hip-hop show.  Sets include: Early '80s rap, '11 rap (x2), and some new rap from the last 4 months.
Tracklist:
Super Lover Cee & Cassanova Rud - Girls I Got 'Em Locked
Fat Boys - Stick 'Em
The Treacherous Three - The Body Rock
Intelligent Hoodlum - The Super Kids (live at Hip Hop USA)
Action Bronson & Statik Selektah - Stick Up
Pete Rock & Smif N Wessun - Fire
Evidence - It Wasn't Me
The Away Team - Bad News (feat King Mez & Blue Raspberry)
Quelle Chris - Shittin' on Niggas
Black & Brown - Zap
Random Axe - The Hex
KRS-One - All Day
Gangrene - Flame Thrower
Big K.R.I.T. - 1986
Action Bronson - Ron Simmons.

A new issue of our mostly music zine, The Soda Killers is out today!  Ask us how you can get your well-manicured little hands on one.

Subscribe in iTunes.

4/24/12

HDD Radio #2: Dirty Biker

In 5, 4, 3, 2 (1)...Aaaaaad we're back! Wow, was that ever quick. In this episode we sit down with longtime friend and co-conspirator Jason, on location at his upstart motorcycle shop in downtown Minneapolis called Dirty Biker. We try to be serious for like, a second before things go off script. The script we didn't have, that is. We do our best to make it work for you, but in the end we just end up telling inside jokes and snickering at our ridiculous selves. We also played a bunch of jams, coming from all over the place. Sets include: movie soundtrack rap from the late '80s and early '90s, gunk punk, metal, and some random stuff thrown in.

Tracklist:
Hookers (pre-Murder City Devils) - Broken Glass
GG Allin & The Murder Junkies - Be My Fuckin' Whore
Dwarves - Is There Anybody Out There?
Compton's Most Wanted - Growin' Up in the Hood
UGK - Pocket Full of Stones
Ice T - Colors
Speedealer - Drink Me Dead
Bad Wizard - Hurricane
Zeke - Arkansas Man
High on Fire -  Bloody Knuckles
Vallenfyre - Ravenous Whore
Gravediggaz - Nowhere to Run
Cloak & Dagger - New Year's Resolution
Ministry - Thieves
Psychadelic Furs - Sister Europe.

Check out www.DirtyBikerMpls.com for all your motorcycle needs.

Subscribe in iTunes.

4/23/12

HDD Radio #1

I casually mentioned this was coming in the comment section a week or so back, and, well, surprise!: here it is...

If there is one thing the Internet is in dire need of these days, it is another podcast. Well who are we to ignore the demands of the Internet?! And so it begins...the first ever episode of HotDogDayz Radio~! Expect some nervous chatter, a visit from The Soda Killers issue #2 cover girl, and a whole bunch of tuneage. Sets include: '80s punk-ish stuff, '77 punk, early '00s white boy rap beef, '90s rap, and demo cassettes of newer hardcore bands.
Tracklist:
Sex Pistols - Bodies
Omega Tribe - ???
Christian Death - Spiritual Cramp
Joy Division - These Days (live)
Dead Boys - Caught With the Meat in Your Mouth
The Jam - In The City
The Stranglers - Ugly
Smut Peddlers - Smut Council
Cage - Suicidal Failure
High & Mighty - Artillery
Masta Ace - Acknowledge
Masta Ace - Slaughtahouse
Big L - Danger Zone
Company Flow - Definitive
Cold Lake - Boat Shoes
Hunting Party - Red Summer
No Power - Changing Grips.

Subscribe in iTunes.

4/22/12

The Soda Killers #2 nearly finished

We're mid-assembly line on this shit, and as usual, it's going slower than you think it will when you map all this stuff out in your head. I tell you, there is a lot of work that goes into DIY zine-making on nearly every level. When it's done, all you can hope is that it is to your liking...and to those who are generous enough to purchase and/or trade for it. TSK #2 will be finished and available for both, come Wednesday! Holla if you wanna get into it.  Alright, now back to work. Anders, grab me a soda!



4/21/12

Scene Report: Record Store Day Wrapup

Record Store Day has come and gone once again. This afternoon I made my way over to Extreme Noise for the second year in row. Saw great live sets by Daylight Robbers from Chicago and thee best band in the TC right now, Condominium. Also, snagged six slabs of wax of my want list and a couple zines, AND somehow managed to resist the temptation to ingest a double veggie dog...I was close to caving in to the pressure though.  Decided to end on a high note and not go to any other places afterwards...other than to get dollar pastor tacos at La Taquiera Hacienda.  I won't tell you how many I had but let's just say, I spent five bucks.






Loot List: 
Bannilyst-Discografi-LP
Black Humor-Love God, Love One Another-LP
Migraine-Four Humors-7"
Raw Nerve-Midnight-7"
Void-Sessions-LP
V/A-Maximum RockNRoll presents Noise Ordinance-LP
Maximum RockNRoll #348 May-'12-zine
More Noise #8/Torturamierda #6-split zine

4/20/12

The Soda Killer Stomp Baby, Let's Go!

Well this fucker should be wrapped up by the end of the weekend. We would like to thank everyone that put in a pre-order. Anders is especially happy because that saved him a little cash, since he's  the one paying for all the printing photocopying.  If everything goes according plan, they will be in the mail on Monday.  As well, everyone else can snag them then too.  We'll post up all deets, don't you worry.  In the meantime, here is a pinup to put on your bedroom wall or inside your school locker, right between the A$AP Rocky cutouts and Blake Griffin posters...    

4/9/12

One Minute Reviews: The Sensitive Side-Demo

One Minute Reviews
By Nathan G. O'Brien exclusively for HotDogDayz

The Sensitive Side-Demo CD-R (self-released, 2011)
The Sensitive Side play snottified garage punk with a touch of ye olden ‘60s style Brit Invasion tossed in. Imagine The Reatards if they were mentored by Billy Childish and only allowed to listen to new wave records once a month. I’m thinking leather jackets, black hair, and bright colored—probably striped—tee shirts. The keyboards—while ear-piercing and amateurish—remind me a little of the Murder City Devils. With subject matter like friendless lost summers and reading on the toilet, it’s probably safe to assume these guys are teenagers. If not, then their adults capitalizing on the opportunity to act like teenagers that punk rock so graciously affords us. Being that this is a demo, it has an under-produced quality to it, which is actually quite enduring and is complimentary to the overall feel. With repeated plays, this has really grown on me, which is something I didn’t initially expect. I believe these are exactly the same songs on the Moon Kids 7” that came recently out on Vinyl Dog. I imagine rock-n-roll fans would be happy with either. I wouldn’t be surprised to see these guys getting signed to In The Red, Goner, or, like, HoZac or something. Yeah, definitely HoZac.

4/3/12

Record Review: Digital Leather-Modern Problems

Digital Leather-Modern Problems (FDH)
By Nathan G. O'Brien on Scene Point Blank

On one hand, Modern Problems is an oddly appealing record, loosely rooted in ‘80s-esque new wave and goth. Amass with catchy hooks and trappings of what was once long ago referred to as “college rock,” it comfortably holds a place alongside the familiarity of Hughes’ movie soundtracks, Joy Division, and even the lo-fidelity alt-punk of early R.E.M.  Without knowing what the intention behind Modern Problems is, it makes it is difficult to perceive it in an easily understandable way. But then again, that’s precisely the type of thing that makes good art. ...Read entire review after jumping off the bridge.

3/31/12

One Minute Reviews: Calvaiire-Rigorisme EP

One Minute Reviews
By Nathan G. O'Brien exclusively for HotDogDayz

Calvaiire-Rigorisme EP (Throatruiner, 2011)
Calvaiire reign from Northwestern France—Laval to specific—and are described by their record label as an “intense and pissed off dark hardcore/crust band.” From listening to Rigorisme I don’t really get a crust vibe at all. Sure it’s hardcore but it’s not really crusty at all. Rather, it sounds like metal-core duking it out with nĂ¼-grind in a suburban Quiznos parking lot. I’m not really sure how Quiznos ties in—I was just trying to find something rather normal and widely available to illustrate how disappointingly ordinary this is, and since there a Quiznos all over the place out the suburbs I figured it apropos. There was a band from Minneapolis in the ‘90s kind of like this called Disembodied, except they were about a thousand times better. I suppose this might be comparable to Converge or something these days. Whatever; I’ve been listening to it for a week now and I’m not really feeling it. To be fair though, this sort of ‘core isn’t really my thing.